A snapshot in time, this volume captures a private cartography of the fretboard forged over decades of study and reflection. Multi-octave interval loops unfold as rotating structures rather than static shapes, revealing a pentatonic-centered domain where symmetry, motion, and touch converge. Neither method book nor manifesto, it reads as a recovered artifact from an unfinished theory: a record of how intervals behave when allowed to orbit, fold, and repeat. The diagrams document a way of seeing; the silence between them preserves the intent. What survives here is not instruction but evidence—of a system explored to its limits and left deliberately unresolved, waiting for the player who recognizes the pattern and steps inside the loop.