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    View Low Ridership by Buzz PiosoPreview
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    Low Ridership

    Portfolio

    by Buzz Pioso

    This is the price your customers see. Edit list price

    Softcover
    Full-color paperback on cover stock without flaps
    Quantity:
    About the Book

    Edit

    This series focuses on the Washington, DC Metro system during times of low ridership. During those times, metro cars can have entire rows or sections with no one occupying them. The lack of bustling crowds causes an almost eerie stillness, with only the sounds of periodic arrival or departure of trains and public address announcements. The metro station’s facilities, such as escalators and parking lots, are largely unoccupied, and any background sounds such as moving escalators are more noticeable due to the absence of people.

    These moments of quietude offer a focused perspective, highlighting the metro system’s architecture and design details that often go unnoticed amid the usual crowds. The interplay of light and shadow becomes more pronounced, casting long reflections across empty platforms and seats. This environment also evokes a sense of solitude and introspection, as the few passengers present navigate through expansive, tranquil spaces. As a result, the images in this series provide considerable focus on the small number of metro customers that are present during times of relative quiet.
    Author website
    http://www.buzzpioso.com
    Features & Details

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    • Primary Category: Portfolios
    • Additional Categories Street Photography, Arts & Photography Books
    • Project Option: Standard Landscape, 10×8 in, 25×20 cm
      # of Pages: 32
    • Publish Date: Nov 24, 2025
    • Language English
    • Keywords metro, dc, washington, street photography
    See More
    About the Creator
    bpioso
    Buzz Pioso
    Clifton, VA, USA

    My practice centers on the unscripted dynamics of public space. I photograph cities as living ecosystems of movement, absorption, and fleeting connection. Rather than chase spectacle, I focus on gestures—how people stand, wait, lean, accelerate, hesitate. These small but revealing details expose the psychological undercurrents of daily life and the subtle ways individuals influence the texture of the places they pass through. I work with spatial tension, layered compositions, and a tonal palette that emphasizes clarity over drama. I’m interested in how architectural structures, light, and human behavior converge to create unrepeatable arrangements. My goal is not to tell stories about individuals but to illuminate the micro-geographies of the street: the spaces between people, the rhythms of flow, and the silent negotiations that shape how we coexist. I am married with full-grown children and live in Clifton, Virginia, USA.

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