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    View Nearing Singularity, Monoprint Paintings by Stephanie Kolpy by Stephanie Kolpy, Faith McClurePreview
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    Nearing Singularity, Monoprint Paintings by Stephanie Kolpy

    Radiance Of A Thousand Suns, Essay by Faith McClure

    by Stephanie Kolpy, Faith McClure

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    About the Book

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    The genesis of Stephanie Kolpy’s exhibition, Nearing Singularity, is rooted in this very quandary. In her series of largescale monoprints, the works collectively address a web of interconnected forces that threaten our natural world: the environmental impacts of global warfare, natural disasters induced by climate change, and most profoundly, the soul-numbing disconnection that our capitalistic world has created between ourselves and the heartbeat of the earth. Seismic in their portentous messaging, Kolpy’s works are beautiful in the way that photographs of the atomic bomb are beautiful — they mesmerize as much as they terrify. They demand an answer from their viewers to the question: where exactly is the tipping point when it comes to the preservation of our natural world? Or more startlingly, have we in fact already crossed it?
    Author website
    https://stephaniekolpy.com/home.html
    Features & Details

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    • Primary Category: Fine Art
    • Additional Categories Catalogues, Arts & Photography Books
    • Project Option: Standard Landscape, 10×8 in, 25×20 cm
      # of Pages: 20
    • Isbn
      • Softcover: 9798331103743
    • Publish Date: Jul 17, 2024
    • Language English
    • Keywords holocene, monoprint, painting, printmaking, climate
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    About the Creator
    SKOLPY1
    Stephanie Kolpy
    ATL GA

    Stephanie Kolpy is Senior Lecturer of Art in the focused areas of Drawing, Painting, Printmaking at the Ernest G. Welch School of Art at Georgia State University in Atlanta Georgia. Kolpy has participated in over 140 international, national, invitational, and regional exhibitions with seven solo exhibitions since 2003. Kolpy has her 8th solo exhibition titled, Nearing Singularity, at Gallery 72 in Atlanta GA, scheduled for August of 2024. Since 2003, she received over 30 awards based on her own portfolio and has been included in 30 art publications including the international publication in 2011 NOPLACENESS: Art in a Post-Urban Landscape, highlighting contemporary southern artists and in 2022 The Hand Magazine, a competitive journal publishing printmaking and photography. In 2019 she received the Don A.Tilton Purchase Award from The Delta National Printmaking Exhibition. In 2022 she received, Top Jurors Award in Artist’s Vision 2022 International.

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